Livre
South
As a State of Mind
Editeur :
documenta und Museum Fridericianum gGmbH 2016
Contenu :
I. Editors' Letter - Quinn Latimer, Adam Szymczyk -- II. Mask Silence, Silence Masks, or A Condition of Utmost Listening - Stathis Gourgouris -- III. Outlawed Social Life - Candice Hopkins -- IV. To Be Beside of Oneself: Fanon and the Phenomenology of Our Own Violence - Elsa Dorlin -- V. Occupy Collections! - Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late). -- VI. Prayer to Masks - Léopold Sédar Senghor -- VII. Mythopoeic Acts: Mariana Castillo Deball's Newspaper Works - Adam Szymczyk -- VIII. Impact Silhouettes - Mariana Castillo Deball, introduction by Adam Szymczyk -- IX. Three Poems - Joan Naviyuk Kane -- X. Fair Trade Heads: A Conversation on Repatriation and Indigenous Peoples with Maria Thereza Alves, Candice Hopkins, and Jolene Rickard -- XI. Cemetery for the Ashes of Thought - Andreas Angelidakis -- XII. Bibliocaust - Mustapha Benfodil -- XIII. Taci, anzi parla - Barbara Casavecchia -- XIV. Keeping Score: Notation, Embodiment, and Liveness - Hendrik Folkerts -- XV. The Mask of Language: Poems of Alejandra Pizarnik, introduction by Quinn Latimer -- XVI. Fourteen Poems - Alejandra Pizarnik -- XVII. Raíces / Tierra / Mazorca / Desierto / Piedra (Roots / Earth / Corn / Desert / Stone) - Regina José Galindo -- XVIII. Draupadi: Translator's Foreword - Gayatri Chakravorty Spivak -- XIX.Draupadi - Mahasweta Devi -- XX. When the Dead Silently Speak Out - Subcomandante Marcos -- XXI. Nesting the Owl - María Magdalena Campos-Pons.
Sujet(s) :
Description :
1 vol. (227 p.)
Format :
30 cm.
Identifiant :
978-3-86335-845-7
Traduit de :
Public :
Silence as resistance; masks as resistance. Both, perhaps paradoxically, as means to act and to speak, as modes of aesthetic and political participation. If words and images can be put to the service of critical inquiry, silence and masks, while withdrawing the claim on self-evident truth, can help give sharp contours to political statement, testifying to the need to address the real - without, however, falling into the pitfalls of direct representation. In essay and allegory, artist projects and conversation, poetry and fiction, this second volume of the documenta 14 South as a State of Mind explores issues of masking identity and silencing dissent, orality and recognition, indigeneity and exile, provenance and repatriation, and colonial and gendered violence. We examine and don masks, understanding them as historical and contemporary means of occlusion or subversion often employed to defy the ways in which our bodies are unequally accorded basic rights in the dehumanizing nexus and global economy of citizenship, geography, race, and gender. In parallel, we survey silence - one of the many masks of language - as a response to the empty authority and authoritarianism of so much communication, a long linguistic flood of nationalistic propaganda, neoliberal preaching, and coded violence. Indeed, we know silence as a necessary aspect of language, as a way to propose a kind of radical reception. For to be silent suggests not only resistance but recipience and recognition. As Stathis Gourgouris observes, "One listens to the universe before anything else." Withholding or receptive, adorned and defiant, often displaced and transforming, the voices and bodies that fill this volume of South demonstrate that silence and masks are often the means by which aesthetics and politics, cultural production and political protest, meet and cross over. "But who is speaking in this room full of eyes?"; Alejandra Pizarnik asks. "Who gnaws with a mouth made of paper? Names that come up, shadows with masks."
Autre(s) Note(s) :
South est une revue sur les questions post-coloniales dans l'art. Dans ce numéro ainsi que dans le numéro 8, South devient le journal de la documenta 14 jusqu'à l'ouverture des expositions à Kassel et Athènes. Ces numéros sont dirigés par Quinn Latimer et Adam Szymczyk, respectivement éditeur en chef des publication et directeur artistique de la documenta 14.
South est une revue sur les questions post-coloniales dans l'art. Dans ce numéro ainsi que dans le numéro 8, South devient le journal de la documenta 14 jusqu'à l'ouverture des expositions à Kassel et Athènes. Ces numéros sont dirigés par Quinn Latimer et Adam Szymczyk, respectivement éditeur en chef des publication et directeur artistique de la documenta 14.
Note sur les contributeurs p. 224 ; colophon p. 228.
Note sur les contributeurs p. 224 ; colophon p. 228.
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| Titre | Support | Consultation | Bibliothèque | Secteur | Localisation | Cote | Disponibilité |
|---|---|---|---|---|---|---|---|
| South | Livre | Prêt normal | Institut Supérieur des Beaux-Arts | Libre accès | Bibliothèque ISBA | 0.290 DOC 14 II | En rayon |
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